My new article, co-written with Jamie Lorimer, has just been published. Read it in GeoHumanities.
Many thanks to Professor Baz Kershaw for his generous and constructive comments as we revised the essay, and sincere apologies to Baz for omitting acknowledgement of this contribution.
My new ‘essai’ has just been published. Read it in Theatre, Dance and Performance Training
My production of Eulogy by Rob Drummond – the sequel to 2011’s Top Table – will be on 16th-21st April (Òran Mór, Glasgow) and 24th-28th April (Traverse Theatre, Edinburgh).
***** The Herald; ‘so assured under David Overend’s pacy direction’ **** The List
The latest episode focusses on The Majority by Rob Drummond, which I directed in August 2017. Includes interviews with me and Rob, along with researchers Oliver Heath (RHUL) and Kirsty Sedgman (Bristol).
Info here for a new show I am directing at the National Theatre this summer, written and performed by Rob Drummond. Tickets now available.
The script, including my introduction, is published by Bloomsbury Methuen Drama.
I will be taking part in a post show discussion on 24th August.
A script for my devised performance, Demises (2007), was published this summer by Oberon in a new book of texts from the first ten years of the Forest Fringe. Purchase a copy here.
A new book about Deep Mapping includes the article I wrote with Dr. Laura Bissell, ‘Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute’. Download the PDF version, or purchase a copy here.
CauseWay by Victoria Bianchi, a site-specific performance I directed for the National Trust for Scotland last year, will be presented again at the Robert Burns Birthplace Museum in Alloway, on 10-12 October 2015. Buy tickets here.
My new article, co-written with Dr. Laura Bissell, has just been published. Read it in Humanities.
Dr. Laura Bissell and I have co-written an essay about how theatre and performance responded to (and contributed to) last year’s Scottish independence debate (available in a special issue of Contemporary Theatre Review on ‘Electoral Theatre’, and accompanied by a short film of interviews with artists).