Publications

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Open_Access_logo_PLoS_white.svg = Open Access

Overend, D. (2017) ‘Director’s Note’ in The Majority by Rob Drummond. London: Bloomsbury Methuen Drama.

Overend, D. (2016) ‘Demises’ in Forest Fringe: The First Ten Years (ed. Forest Fringe). London: Oberon. pp.42-61

Open_Access_logo_PLoS_white.svg Bissell, L. and Overend, D. (2015) Regular Routes: Deep Mapping a Performative Counterpractice for the Daily CommuteHumanities 4:3, pp.476-499. Also available to download or purchase in a book on Deep Mapping, edited by Les Roberts (2016).

Open_Access_logo_PLoS_white.svg Bissell, L. and Overend, D. (2015) Early Days: Reflections on the Performance of a ReferendumContemporary Theatre Review 25:2, pp.242-250. Accompanied by a short film for the online Interventions section

Bissell, L. and Overend, D. (2015) Reflections on a Mobile Train Conference from Helsinki to RovaniemiCultural Geographies in Practice 22:4, pp.731–735

Overend, D. (2015) Dramaturgies of Mobility: On the Road with Rob Drummond’s Bullet Catch. Studies in Theatre and Performance 35:1, pp.36-51

Open_Access_logo_PLoS_white.svg Bissell, L. and Overend, D. (2014) Rhythmic Routes: Developing a Nomadic Physical Practice for the Daily Commute. [Keynote paper], Scottish Journal of Performance 2:1, pp.29-54

Overend, D. (2013) Making Routes: Relational Journeys in Contemporary Performance. Studies in Theatre and Performance 33:3, pp.365-381

Open_Access_logo_PLoS_white.svg Overend, D. (2013) World Wide Wandering: E-drifting in Paris and London. Scottish Journal of Performance 1:1, pp.31–52

Open_Access_logo_PLoS_white.svg Overend, D. (2012) Making Routes: Journeys in Live Art. [Study Room Guide], London: Live Art Development Agency

Overend, D. (2012) Sites of Illusion: Performing the Spatial Stories of the Guided Tour. Scandinavian Journal of Tourism and Hospitality 12:1, pp.44-54

Overend, D. (2012) Clubbing Audiences: Relational Theatre Practice at Death Disco. New Theatre Quarterly 28:1, pp.67-79

Open_Access_logo_PLoS_white.svg Overend, D. (2011) A Work on Progress: Documentation and Exegesis. The Journal for Artistic Research 1, http://www.jar-online.net

Open_Access_logo_PLoS_white.svg Overend, D. (2011) Underneath the Arches: Developing a Relational Theatre Practice in Response to a Specific Cultural Site. [PhD thesis]. University of Glasgow

Overend, D. (2010) A Lexicon of Training Terms: “Gestation”. [Contribution to lexicon], Theatre, Dance and Performance Training 1:2, pp.237-238

Book reviews include: Improvisation in Rehearsal by John Abbott, and Style for Actors: A Handbook for Moving Beyond Realism by Robert Barton. New Theatre Quarterly 27:3, p.294; Mythogeography: A Guide to Walking Sideways by Phil Smith. New Theatre Quarterly 26:4, p.399

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