Click on titles to read…
Overend, D. (2018) ‘Essai: Training the Audience’. Theatre, Dance and Performance Training 9:1, pp.125-129.
Overend, D. (2016) ‘Demises’ in Forest Fringe: The First Ten Years (ed. Forest Fringe). London: Oberon. pp.42-61
Bissell, L. and Overend, D. (2015) Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute. Humanities 4:3, pp.476-499. Also available to download or purchase in a book on Deep Mapping, edited by Les Roberts (2016).
Bissell, L. and Overend, D. (2015) Early Days: Reflections on the Performance of a Referendum. Contemporary Theatre Review 25:2, pp.242-250. Accompanied by a short film for the online Interventions section
Bissell, L. and Overend, D. (2015) Reflections on a Mobile Train Conference from Helsinki to Rovaniemi. Cultural Geographies in Practice 22:4, pp.731–735
Overend, D. (2015) Dramaturgies of Mobility: On the Road with Rob Drummond’s Bullet Catch. Studies in Theatre and Performance 35:1, pp.36-51
Bissell, L. and Overend, D. (2014) Rhythmic Routes: Developing a Nomadic Physical Practice for the Daily Commute. [Keynote paper], Scottish Journal of Performance 2:1, pp.29-54
Overend, D. (2013) Making Routes: Relational Journeys in Contemporary Performance. Studies in Theatre and Performance 33:3, pp.365-381
Overend, D. (2013) World Wide Wandering: E-drifting in Paris and London. Scottish Journal of Performance 1:1, pp.31–52
Overend, D. (2012) Making Routes: Journeys in Live Art. [Study Room Guide], London: Live Art Development Agency
Overend, D. (2012) Sites of Illusion: Performing the Spatial Stories of the Guided Tour. Scandinavian Journal of Tourism and Hospitality 12:1, pp.44-54
Overend, D. (2012) Clubbing Audiences: Relational Theatre Practice at Death Disco. New Theatre Quarterly 28:1, pp.67-79
Overend, D. (2011) Underneath the Arches: Developing a Relational Theatre Practice in Response to a Specific Cultural Site. [PhD thesis]. University of Glasgow
Overend, D. (2010) A Lexicon of Training Terms: “Gestation”. [Contribution to lexicon], Theatre, Dance and Performance Training 1:2, pp.237-238
Book reviews include: Improvisation in Rehearsal by John Abbott, and Style for Actors: A Handbook for Moving Beyond Realism by Robert Barton. New Theatre Quarterly 27:3, p.294; Mythogeography: A Guide to Walking Sideways by Phil Smith. New Theatre Quarterly 26:4, p.399